RiR1009, I need movement, wearing a belt to be free to move like i need. An headset & a contact-mic bring the possibilty to develop what can i communicate. A red bag full of musical waste (found or consume during
touring). A wireless system and my lovely "Piggy" help me to be not alone.
Live Video Here // Text Here
HELASSACASSE, Holding an elastic with a contact microphone and searching how to find my way front of an old ventilator. Live Video Here
1.875#3.75, Tiny loop built on a Low Speed version of a Revox-B77, i am using concrete material to produced sound with Contact Mic, GBF, No Input, IR Remote Receiver.
Sounds here
POT, My Pot/Box principal idea is : the blindness. I'm in good way to have Both eyes Glaucoma...So for this shared moment, i will Create a condition of poor visual perception.
In order to feel the present with the concrete contact of the body into space."Every human needs to find a way to feel better and try to further the perspective for his future.
The future here is an escape to a reality, a door for freedom." Raw Footage here
WC ( Lorraine Auvergnate ) w/ Cécile Georges - Installation comprenant un siège ainsi qu’une évacuation et destinée à la satisfaction des besoins naturels d’un publiques d’averti. \ˌdʌbəlju ˈsiː\
ZOFUE SAMU DE MANI, Trio with the videast Raphaël Maze and a glitchy women named Cécile. Text here
FAR(close)AWAY, Duo with the Japanese vocalist Junko Hiroshige from Hijokaidan, im using a broken duck call. Video here
DUSTBREEDERS EXT, Playing Farfisa Organ ULtra Loud with Michel Henritzi, Thierry Delles, Yves Botz & Bastien Chmps (from Daikiri).Video here
KRUPUK, With Julien Thomas De Nazar (ex-richard durn, ex-mary-x, Drummer of Silence and Trig-Midi-Man in Drum Fire 500) we are the manager of this
improv'/asymmetric/progressive/noise/experimental/post-punk/avant-garde/rock duo with Mamousse & Magoule. They are rehearsing and doing live show every week on every possible events.
Website here
GIASO, Great International Audio Streaming Orchestra, An online cross-border orchestra developed by APO33 for the purpose of creating networked performance spaces. Website here
LA FACE SONORE, For this performance of the tightrope walker Mathieu Hibon, im managing the instalation and the exploitation of a contact microphone to ear (on huge PA)
his footstep on a steel cable 20 meters lenght stretched to 1 ton. Website here
Six chronological steps are required to adequately fulfil the aim
intended in this ritual:
- Listening : The cup on the heart, heartbeats accelerating along the
way.
- Unveiling : Appetizer for the senses, the discovery of the object.
- Wandering : Space exploration.
- Falling : Fatigue expected.
- Playing : Like a dog with a ball.
- Ending : Power cut.
The playground is set on the floor, facing the sound system.
The “Wandering” phase aims at emphasizing the space in order to feel
the acoustic characteristics of the place.
This is why it is advised that the audience is placed around NW.
It is also important to specify that the sound system should be of good
quality and will face demanding performances in terms of dynamics.
Review by N.Raven :
"NW’s Cup was a noise piece which delivered a delicious mix of
screeching sounds and boundless, childlike energy. NW, a male
performer, knelt before a mixing desk. Silently, and with a beaming
smile upon his face, he dedicated the time to ‘cheers’ every single
member of the audience with his plastic cup which came complete with
attached contact mic. As he poured water into the cup, sounds of the
glugging liquid were projected around the space via his connected
speakers – a simple action transformed into an audio event. As the
performer drank from a water bottle, he held the cup to his chest; the
sounds of the liquid moving downwards along his internal digestive
tract was heard around the space, the internal now becoming external.
Because he was topless, and I was sitting behind him and viewing his
back, I was able to witness the inner workings of his body; lungs,
diaphragm, muscles, expanding and contracting as he thrashed about on
his knees. As the energy built, NW began to breathlessly moan into the
cup. The audio was edited, extended and exaggerated within the space,
delivering a deeply melancholic sound which eerily lingered in my mind.
As the sound grew to an almost unbearable level, the performer stood up
and began to rock back and forth, forcing breath into the cup, skin
sweating, eyes bulging, energy expelling from his every pore. As he
fell to the floor, screams of exhaustion could be heard faintly in the
background of this audio symphony. For me, the joy of this performance
came from its apparent simplicity; one man and his cup. The use of
silence and stillness at the start of the performance was contrasted
well by the extreme energy and high intensity of the enveloping
soundscape. I was extremely pleased to see the performer firmly
position his own body at the heart of his performance, as all too often
noise artists hide behind their various technologies. Here, technology
and the body came together in order to produce a well-crafted
performative piece with a strong dramatic curve."
N W " C U P " L
I V E T E C H R I D E R
- A strong P.A. system with bass subwoofers and one analog mixing desk,
- One power/current extension cable,
- Need to play in the middle of the 2 speakers with the audience,
not on any stage,
- The venue must be as luminous as possible.
Duration of the concert : maximum 15 minutes
GBF + 2 x WOWee ONE on reel to reel loop > AKAI GX-230D (rec) /
PHILIPS (play).
- A strong P.A. system with bass subwoofers and one analog mixing desk,
- One power/current extension cable,
- Need to play in the middle of the 2 speakers with the audience,
not on any stage,
- The venue must be as luminous as possible.
Duration of the concert : Maximum 30 minutes
No Light Sensor / Only Space Movement !
Evolution with Contact mic, Contact Speakers (Wowee One & X-mini),
Radio Tuner (Lw Band), Dictaphone (Olympus S921) & GBF (Android),
the acoustic sound will be picked up on the sound reinforcement system
by binaural microphone.
My Pot/Box principal idea is : the blindness.
I'm in good way to have Both eyes Glaucoma...
So for this shared moment, i will Create a condition of poor visual perception.
In order to feel the present with the concrete contact of the body into space.
"Every human needs to find a way to feel better and try to further the perspective for his future.
The future here is an escape to a reality, a door for freedom."
- A strong P.A. system with bass subwoofers and one analog mixing desk and 4 XLR input,
- The venue must be as luminous as possible. (Service light is perfect)
Wireless Bruitiste Action.
For this new live project, called RIR1009,
the purpose is to developed manipulation of FeedBack,
buccal basics, psychoacoustic and language sharing.
An headset-mic and contact-mic,
plugged into few effect pedals,
connected into a wireless system,
wear with a belt to be free to move like i need.
Discovering with the audience the gig place.
With my headlamp i’m focusing
the meaning of every tiny actions.
Throughout my trip, i reveal my
interest about sound and my proper emotions and
i communicate with the audience about what is going on «now»,
at this very precise moment called «the present».
- A powerful P.A. with at least 2 speakers and 2 subs,
- I bring my own DI, to plug my Wireless Receiver near the main sound control,
- the main mixer need to have 1 XLR empty channels to plug the XLR from my DI,
- I perform everywhere into the venue, never fix on stage,
- The venue must be as dark as possible,
- I prefer to eat healthy, non-industrial or transformed food and if possible vegetarian food.
! I will bring all Wireless Equipment !
Duration : +/- 30 minutes